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The journal

Notes from the table

A few pages about the language around fragrance: the shape of a note pyramid, the feel of citrus and wood, and the moments a description can suggest. These are editorial paths through an imagined house, with room for your own associations.

Two unmarked paper scent strips overlap beside clear glass on a sunlit stone surface.

Two fragrances, one conversation

Begin with two descriptions and a little space between them; layering can be an exercise in contrast before anything is combined.

4 minute read

Citrus peel, white blossoms and pale wood shavings form three arrangements on warm stone.

Reading between the notes

Top, heart and base offer a useful outline, but a fragrance description becomes more interesting when you read across the layers as well.

4 minute read

White blossoms, green leaves and curled citrus peel rest on textured sunlit limestone.

A little light around neroli

Neroli gives this imagined house a bright starting point, with enough green shade around the blossom to keep the picture from becoming too sweet.

4 minute read

Unmarked glass vessels, paper strips, white blossoms and green fruit cover a wooden worktable.

Imagining Néroli Soleil

An editorial account of a fictional fragrance, beginning with the light on a table rather than a formula, a founder or a manufacturing claim.

4 minute read

A paper scent strip rests on ivory linen beside long shadows on a wooden table.

Duration is not a single number

What remains noticeable can vary, and a note pyramid cannot supply a stopwatch; here is a quieter way to read the language around duration.

4 minute read